Dimension X, Speed Gibson & Yours Truly, Johnny Dollar

First, Dimension X, “Child’s Play”, written by William Tenn and originally broadcast on June 21, 1951

Next, Episode ONE of Speed Gibson of the International Secret Police, “The Octopus Gang Active”, originally broadcast on January 2, 1937

And Finally, Bob Bailey as America’s Fabulous Freelance Insurance Investigator in Your Truly, Johnny Dollar with “The Backfire That Backfired Matter”, originally broadcast August 6, 1959

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The Chase & Sanborn Hour

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Starring your host Rudy Vallee, Featuring Edgar Bergen and Charlie McCarthy. Special guests: Maureen O’Hara and Arthur Treacher. Originally aired December 3, 1939.

From Wikipedia:
The series began in 1929 as The Chase and Sanborn Choral Orchestra, a half-hour musical variety show heard Sundays at 8:30pm on NBC. When Maurice Chevalier became the show’s star, he received a record-breaking salary of $5000 a week. Violinist David Rubinoff (September 13, 1897 – October 6, 1986) became a regular in January 1931, introduced as “Rubinoff and His Violin.”

When Chevalier returned to Paris, Eddie Cantor was chosen as his replacement and the new 60-minute program, The Chase and Sanborn Hour, was launched September 13, 1931, teaming Cantor with Rubinoff and announcer Jimmy Wallington. The show established Cantor as a leading comedian, and his scriptwriter David Freedman as “the Captain of Comedy.” When Jimmy Durante stepped in as a substitute for Cantor, making his first appearance on September 10, 1933, he was so successful that he was offered his own show. Then the world’s highest paid radio star, Cantor continued as The Chase and Sanborn Hour’s headliner until November 25, 1934.

With a new format, The Opera Guild, hosted by Deems Taylor, began December 2, 1934, Sundays at 8pm, on The Chase and Sanborn Hour, and that concert series continued until March 17, 1935. Major Bowes’ Amateur Hour had the slot from March 24, 1935 until September 11, 1936, followed by Do You Want to Be an Actor?, with Haven MacQuarrie, broadcast from January 3, 1937 until May 2, 1937, a series that continued Sundays at 10:30pm as a half-hour show from December 5, 1937 until February 20, 1938.

Meanwhile, Chase and Sanborn found a gold mine with a wooden dummy when Edgar Bergen and Charlie McCarthy began an 11-year run, starting May 9, 1937. Initially this incarnation of the program also featured as regulars master of ceremonies Don Ameche, singers Dorothy Lamour and Nelson Eddy, and for the first few weeks, comedian W.C. Fields, accompanied by a different guest star each week. Perhaps the most infamous of the latter was Mae West, whose appearance on the December 12, 1937 program was highlighted with a sexually suggestive “Adam and Eve” sketch that caused a public outcry and resulted in West being banned from the radio airwaves for many years.

Beginning January 7, 1940, the regular cast, apart from Bergen and McCarthy, were dropped and the show was cut to a half-hour and retitled The Chase and Sanborn Program. Also beginning in 1940, the program went on hiatus for a number of weeks each summer. CBS filled its airtime with a different substitute show each year, including The Bishop and the Gargoyle (1940), What’s My Line? (1941), Star-Spangled Vaudeville (1942), Paul Whiteman Presents (1943), The Gracie Fields Show (1944), The Frances Langford Show [aka The Chase and Sanborn Program] (1945), and Alec Templeton Time (1946-47). In the fall of 1948, Chase and Sanborn announced it would terminate its contract with Edgar Bergen at the end of the year. The remaining Bergen/McCarthy programs eschewed guest stars in favor of regular sketches featuring Don Ameche and Marsha Hunt as The Bickersons. In 1949, Bergen moved to CBS, with a new weekly program (The Charlie McCarthy Show) sponsored by Coca-Cola.

Although the series ended December 26, 1948, it was followed by a compilation show on NBC, The Chase and Sanborn 100th Anniversary Show (November 15, 1964), assembled by writer Carroll Carroll and narrated by Bergen. This became an annual event with The Chase and Sanborn 101st Anniversary Show (November 14, 1965), a Fred Allen tribute, followed by The Chase and Sanborn 102nd Anniversary Show (November 13, 1966), which turned out to be the last of the series.

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The War of the Worlds

welles37The War of the Worlds is an episode of the American radio drama anthology series The Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938, and aired over the Columbia Broadcasting System radio network. Directed and narrated by actor and future filmmaker Orson Welles, the episode was an adaptation of H. G. Wells’s novel The War of the Worlds.

The first two thirds of the 62-minute broadcast were presented as a series of simulated news bulletins, which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a sustaining show (it ran without commercial breaks), adding to the program’s realism. Add to this the fact that many listeners tuned in late to the broadcast since they had been listening to Charlie McCarthy on another channel and missed the early disclaimers in the show. Although there were sensationalist accounts in the press about a supposed panic in response to the broadcast, the precise extent of listener response has been debated.

In the days following the adaptation, however, there was widespread outrage and panic by certain listeners, who had believed the events described in the program were real. The program’s news-bulletin format was described as cruelly deceptive by some newspapers and public figures, leading to an outcry against the perpetrators of the broadcast. Despite these complaints—or perhaps in part because of them—the episode secured Welles’ fame as a dramatist.

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Nero Wolfe and Night Beat

Nero Wolfe: The Deadly Sellout Originally Aired January 5, 1951

Mystery writer Rex Stout created fictional detective Nero Wolfe in 1934. Nero Wolfe is a big guy–5’11” tall and is frequently said to weigh “a seventh of a ton” (about 286 pounds). Due to his size, he tried to solve crime from home without visiting crime scenes. Wolfe relied on his assistant, Archie Goodwin, who did the leg work, interviewing witnesses and gathering clues for interpretation by Nero Wolfe at home. Wolfe had his definite eccentricities. Known for his particular tastes and love of gourmet food, Nero Wolfe is fed by Fritz Brenner, an exceptionally talented Swiss cook. Also an avid reader, Wolfe doesn’t have a television in his home, he doesn’t like to be called by his first name or to be touched all the while keeping a rigid schedule of eating and tending to his orchids and seems to go into a trance while he solved crime with his mind.

The Adventures of Nero Wolfe made his larger than life old time radio show debut on July 5th, 1943. The detective show proved to be a natural for classic radio. The plots and verbal word-play make this really an entertaining series. Throughout the show’s run, Santos Ortega, Luis van Rooten, Francis X Bushman and Sydney Greenstreet all filled the shows (and big suit) of Nero Wolfe. A large assortment of actors played the part of Archie Goodwin. The Adventures of Nero Wolfe show stayed on the airwaves in different versions for eight years (1943 – 1951)

Night Beat brings us Mentallo, The Mental Marvel from May 1, 1951

Night Beat aired on NBC from February 6, 1950 until September 25, 1952, sponsored by Pabst Blue Ribbon Beer and Wheaties. Frank Lovejoy starred as Randy (originally “Lucky”) Stone, a reporter who covered the night beat for the Chicago Star, encountering criminals and troubled souls. Listeners were invited to join Stone as he “searches through the city for the strange stories waiting for him in the darkness.” It is generally regarded as a “quality” show, and it stands up extremely well. Frank Lovejoy was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to cover much in a short time. There was a good supporting cast, orchestra and sound effects. “The Slasher,” broadcast on 10 November 1950, the last show of season one, has a very loosely Ripper-derived plot in which Stone searches for an artist.
Supporting actors included Joan Banks, Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear (who was on EVERYTHING, it seems), Lurene Tuttle, Martha Wentworth and Ben Wright.
The format was recreated, with Lovejoy as Stone, on an episode of the television anthology series, Four Star Playhouse (“Search in the Night” airing on November 5th, 1953).

Fibber McGee & Molly and Boston Blackie

Chester Morris as Boston Blackie
Fibber McGee and Molly was an American comedy series which maintained its popularity over decades. It premiered on NBC in 1935 and continued until its demise in 1959. Jim and Marian Jordan, real-life husband and wife, met when they were their teens, married in 1918 and stayed together until Marian’s death in 1961. For station WMAQ in Chicago, beginning in April 1931, the Jordans and their writer Donald Quinn created Smackout, a 15-minute daily program which centered on a general store and its proprietor, Luke Grey (Jim), a storekeeper with a penchant for tall tales and a perpetual dearth of whatever his customers wanted: He always seemed “smack out of it.” Marian Jordan portrayed both a lady named Marian and a little girl named Teeny, as well as playing musical accompaniment on piano. During the show’s run, Marian Jordan voiced a total of 69 different characters in it. Smackout was picked up by NBC in April 1933 and broadcast nationally until August 1935.
The Fibber McGee & Molly show made good use of running gags, probably the most well remembered being McGee’s junk-filled closet, the contents of which always crashed down on anyone that happened to open the door.
This show, Big Money for Old Books, centers around Fibber’s Horatio Alger collection and originally aired 2/17/1948.

Boston Blackie: Polly Morrison’s Gun Collection
After several months of shows, I thought it was time to “come home” and present home town-guy Boston Blackie on the Matinee. Boston Blackie is old, much older than even the radio and film series which many of us have seen and heard. The original tales of Blackie were written by Jack Boyle in the early 20th Century. “The Price of Principle” was a short story in the July 1914 issue of The American Magazine. Boyle’s character also turned up in Cosmopolitan. In 1917, Redbook published the novelette “Boston Blackie’s Mary,” and the magazine brought the character back with “The Heart of the Lily” (February, 1921). Boyle’s stories were collected in the book Boston Blackie (1919), which was reprinted in 1979 by Gregg Press. There were even early film adaptations of the stories done in the silent era. Columbia Films revived the Boston Blackie film series in 1941 with a 58 minute story starring Chester Morris, who plays Blackie in our show tonight. The radio series began in 1944 as a summer replacement for Amos & Andy on NBC. It was revived on Mutual (starring Richard Kollmar) in April of 1945 and ran until 1949. But even then, Blackie was not finished as the show was developed into a television series in 1951 which ran for 58 episodes. As late as 2009, Boston Blackie is still thrilling audiences, this time in Graphic novel format. Boston Blackie: Bloody Shame (Moonstone Noir) by Stefan Petrucha (Author), Kirk Van Wormer (Illustrator), Chris Burnham (Illustrator) is available today at many bookstores and online. This episode originally aired on July 28th, 1944.

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Sherlock Holmes and Dragnet


The New Adventures of Sherlock Holmes aired from October 2, 1939 to July 7, 1947. Most episodes were written by the team of Dennis Green and Anthony Boucher. Originally, the show starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr. John H. Watson and were on the air weekly on Mondays from 8:30 to 9:00pm.

After 220 episodes. Basil Rathbone was eager to separate himself from the show to avoid being typecast as Sherlock Holmes and even though the show’s sponsor Petri Wine offered him generous pay to continue, he decided to move on. Once he did, the sponsor did as well. Tom Conway took the starring role though Nigel Bruce got top billing. The new sponsor was Kreml Hair Tonic for Men, and the new series lasted 39 episodes. Tom Conway was replaced mid-season by John Stanley. The show was later sponsored by Clipper Craft menswear.

This episode, Murder By Moonlight, originally aired on October 29, 1945.

Dragnet: The Big Little Mother, Originally aired October 6, 1953
Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent. This case requires Sgt Joe Friday and his partner Smith to catch a woman who has been using forged checks to buy children’s clothes for the past six years.

Dragnet was created and produced by Jack Webb, who starred as the terse Sergeant Joe Friday. Webb had starred in a few mostly short-lived radio programs, but Dragnet would make him one of the major media personalities of his era.

Dragnet had its origins in Webb’s small role as a police forensic scientist in the 1948 film He Walked by Night, itself inspired by the violent 1946 crime spree of Erwin Walker, a disturbed World War II veteran and former Glendale police department employee. The film was depicted in semidocumentary style, and Marty Wynn (an actual LAPD sergeant from the Robbery Division) was a technical advisor on the film. Inspired by Wynn’s accounts of actual cases and criminal investigative procedure, Webb convinced Wynn that day-to-day activities of police officers could be realistically depicted in a broadcast series, without the forced sense of melodrama in the numerous private-detective serials then common in radio programming.

Webb frequently visited police headquarters, drove on night patrols with Sgt. Wynn and his partner Officer Vance Brasher, and attended Police Academy courses to learn authentic jargon and other details that could be featured in a radio program. When he proposed Dragnet to NBC officials, they were not especially impressed; radio was aswarm with private investigators and crime dramas, such as Webb’s earlier Pat Novak for Hire. That program didn’t last long, but Webb had received high marks for his role as the titular private investigator, and NBC agreed to a limited run for Dragnet.

The first several months of broadcasts were bumpy, as Webb and company worked out the program’s format and eventually became comfortable with their characters. Friday’s first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. Raymond Burr was on board to play Chief of Detectives Ed Backstrand. When Dragnet hit its stride, it became one of radio’s top-rated shows.

Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn’t seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives’ personal lives were mentioned but rarely took center stage. “Underplaying is still acting”, Webb told Time. “We try to make it as real as a guy pouring a cup of coffee.” Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.

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Gunsmoke

X Minus One, Gunsmoke and Five Minute Mysteries

X Minus One
X Minus one ran on NBC from 1955-1958 weekly and had one episode, The Iron Chancellor, written by Robert Silverberg, in 1973. It started off as a revival of Dimension X, with 15 of the same stories including tonight’s show, Mars is Heaven, which played on July 7th, 1950. It also incorporated 4 stories from a short lived radio anthology called Tales of Tomorrow, which ran in 1953. The stories were so popular that 50 years later, Counter-Productions Theatre Company in Boston, staged three episodes.
Mars is Heaven was written by Ray Bradbury and this episode was originally broadcast Mar 8, 1955. This story was also among the stories selected in 1970 by the Science Fiction Writers of America as one the best science fiction short stories of all time.

Gunsmoke

The radio version of Gunsmoke ran from 1952 to 1961. This episode, Joke’s On Us originally aired January 9th, 1954 and starred William Conrad, Georgia Ellis, Parley Baer and Howard McNear. Also heard were Vic Perrin, Lou Krugman, John Dehner and Harry Bartell. This is truly an amazing cast:
GunsmokeWilliam Conrad: Conrad estimated that he appeared in over 7,500 roles on radio. He was regularly heard inviting listeners to “get away from it all” on CBS’ Escape. Conrad’s other radio credits include appearances on The Damon Runyon Theater, The Lux Radio Theater, Nightbeat, Fibber McGee and Molly and Suspense. For “The Wax Works,” a 1956 episode of Suspense, Conrad demonstrated his versatility by performing all the roles. Because of his CBS contract, Conrad appeared on other network radio shows as “Julius Krelboyne”.
Parley Baer: Baer’s portrayal of Chester was generally considered his finest and most memorable role and, as he often said, the one he found most fulfilling. He was also featured on many other radio programs but also made a big splash in film and on television. A few of his television roles were on The Andy Griffith Show, The Adventures of Ozzie and Harriet, The Addams Family, Hogan’s Heroes, Bewitched, Three for the Road, Three’s Company, The A-Team, Star Trek: Voyager, The Fresh Prince of Bel-Air, The Dukes of Hazzard, Night Court, Little House on the Prairie, and Mad About You.
Howard Mcnear: Though McNear was best known for his performances as the vague, chatty barber Floyd Lawson on television on The Andy Griffith Show, he worked as a theatrical actor as early as 1930 and worked in radio from the late 1930s, distinguishing himself in the 1937–1940 radio serial Speed Gibson of the International Secret Police as ace operator Clint Barlow. Along with his lengthy tenure on Gunsmoke, Howard also (From 1955 to 1960) appeared frequently, in various quirky roles, in the popular (and one of my favorite) radio detective series Yours Truly, Johnny Dollar.

The television version of Gunsmoke ran for 20 seasons from 1955 to 1975 and was the United States’ longest-running prime time, live-action drama with 635 episodes. In 2010, Law & Order tied this record of 20 seasons (but only 456 episodes).

Five Minute Mystery: Command Performance.
Five Minute Mysteries were produced and syndicated to individual local radio stations as what is still known as a “barter/trade” program. In other words, they were used to sell advertising to local merchants or trade the advertising announcements for goods, services or premiums such as the prizes awarded to listeners in the radio station’s contests or promotions. To facilitate personalizing the shows to the individuals stations and insert the local ads, the producers inserted musical interludes in the shows where time is left for a local announcer to introduce the episode, present the advertiser’s message and wrap things up with other local information.

Next Week: Burns and Allen and Richard Diamond, Private Detective.

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Katharine Hepburn in Little Women

This series originated on radio in the 1940s as Theatre Guild on the Air. Organized in 1919 to improve the quality of American theater, the Theatre Guild first experimented with radio productions in Theatre Guild Dramas, a CBS series which ran from December 6, 1943 to February 29, 1944.

Actress-playwright Armina Marshall, a co-administrator of the Theatre Guild, headed the Guild’s newly created Radio Department and in 1945, Theatre Guild on the Air embarked on its ambitious plan to bring Broadway theater to radio with leading actors in major productions. It premiered September 9, 1945, on ABC with Burgess Meredith, Henry Daniell and Cecil Humphreys in Wings Over Europe, a play by Robert Nichols and Maurice Browne which the Theatre Guild had staged on Broadway in 1928-29.

Within a year the series drew some 10 to 12 million listeners each week. Presenting both classic and contemporary plays, the program was broadcast for eight years before it became a television series.

In 1933, Katharine Hepburn won her first Oscar in Morning Glory, as a young actress who rejects romance in favor of her career. That same year, Hepburn played Jo in the Big-screen adaptation of Little Women, which broke box-office records, and for which she won the Best Actress award at the Venice Film Festival.

In 1950, Hepburn signed on to play Rose Sayer in The African Queen, a prim spinster missionary in Africa (around the time of World War I), who convinces Humphrey Bogart’s character, a hard-drinking riverboat captain, to use his boat to destroy a German ship. The African Queen was shot mostly on location in Africa, where almost all the cast and crew suffered from malaria and dysentery, except director John Huston and Bogart, neither of whom ever drank any water. Hepburn disapproved of the two men’s drinking and drank gallons of water each day to spite them. She wound up so sick with dysentery that, even months after she returned home, the actress was still ill. The film gave Hepburn her fifth Best Actress nomination, but she lost to Vivien Leigh for A Streetcar Named Desire.The trip and the movie made such an impact on Hepburn that later in life she wrote a book about filming the movie: The Making of The African Queen: Or, How I Went to Africa With Bogart, Bacall and Huston and Almost Lost My Mind, which made her a best-selling author at the age of 77.
In this version of Little Women, Hepburn plays the parts of both the Narrator and Jo.

Enjoy!

Next time: X minus One and Gunsmoke

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The Six Shooter and It Pays to be Ignorant

The Six Shooter: THE COWARD
In the second episode of The Six Shooter, former gunman and old friend of Britt Ponset’s, Will Peter, at his wife’s request, promises never to use his weapon again. Unfortunately, Noah Temple is trying to take away the Peter ranch and Will is having trouble keeping his promise. This series began just a year after Gunsmoke though The Six Shooter wasn’t the first popular adult western to air over Radio, a case can be made that it was the first to thoroughly legitimize the genre over the medium. Not only were The Six Shooter scripts (and casts) the equal of any of the first wave of adult westerns, but the series carried the considerable weight of James Stewart in the starring role. The theme song “The Highland Lament” by Ralph Vaughan Williams, became a star in its own right and NBC was flooded with inquiries and requests in the mail on how to obtain the record. The answer from producer Jack Johnstone was always the same: “It’s a special English recording restricted to broadcast use only.” Originally Aired 09/27/1953.

It Pays To Be Ignorant
This series, which ran for nine years starting in 1942 was a spoof on popular “intellectual” series as Quiz Kids and Information Please while the beginning of the program parodied the popular quiz show, Doctor I.Q. With announcers Ken Roberts and Dick Stark, the program was broadcast on Mutual from June 25, 1942 to February 28, 1944, on CBS from February 25, 1944 to September 27, 1950 and finally on NBC from July 4, 1951 to September 26, 1951.
The satirical series featured “a board of experts who are dumber than you are and can prove it.” Tom Howard was the quizmaster who asked questions of dim-bulb panelists Harry McNaughton, Lulu McConnell and George Shelton. The Irish-born Howard and Shelton had previously worked together as a team in vaudeville and comedy film shorts, while McConnell and British comic McNaughton had both appeared in many Broadway musical comedies and revues between 1920 and the late 1930s.
The original radio cast brought the show to television. It was first seen on CBS from June 6 to September 19, 1949. After two years, the series returned on NBC from July 5 to September 27, 1951.
The series was revived by Stefan Hatos-Monty Hall Productions as a weekly syndicated series from September 10, 1973 to September, 1974. In this version, host Joe Flynn queried panelists Jo Anne Worley, Billy Baxter and Match Game regular Charles Nelson Reilly.
A spoof of this spoof was done in the mid-1950s by Jackie Gleason.
Originally broadcast October 6, 1944

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